Thursday, 1 June 2017

Social housing in Bournville, and Brutalism in London

 Bournville in Birmingham was created by George Cadbury to house the workers at his chocolate factory.  He began the estate in 1895, then expanded it in stages, and it is still growing, with related developments in other parts of Birmingham, and even in Telford.  The estate was always, on principle, a mix of owner-occupiers, owning their homes on long leases, and tenants, maybe more tenants than owner-occupiers.  The houses are mostly semi-detached or blocks of four smaller cottages, with some detached houses and, more recently, some flats.
Typical Bournville semi-detached houses, c. 1898.
George Cadbury believed in green space and grow-your-own fruit and vegetables, each house had a garden with three fruit trees.  He built a school, with a carillon on the top, which is still played by the carilloner, a swimming bath, a church and, because he was Quaker, a Friends' Meeting House.  The chocolate factory  had leisure facilities, including a theatre, for the workers.  He built the centre of the original village round a village green, planted with trees and, in spring, covered in spring bulbs.  He kept a small piece of woodland, full of bluebells, and there are parks, a small stream which he re-named the Bourne, and a boating pool for sailing model boats
The carillion, on top of the school (it isn't really leaning,
I was standing in the road)

.All the Bournville Village Trust estates are run by the estate office, though general utilities such as roads are run by the City council. There are rules, and some of the estate is a conservation area.  Residents have a say, a bit, through residents committees.  This is social housing which works, Bournville is a good place to live, because it is well maintained and includes a social mix.  Birmingham City Council, in return for a grant, has an option on some of the rented properties for people on the council housing list, the rest are managed by the Estate Office.

St. Francis Church, 1913, architect, W.H. Harvey, the estate architect.

 The estates became a model for Birmingham council housing estates in the 1930s; red brick terrace blocks of two to four houses with quite generous gardens built round quiet roads and cul de sacs. Its easy Arts and Crafts style also influenced the design of many private housing estate schemes.
Typical Birmingham between the wars council housing terrace,
Kings Heath.  
I got involved in London social housing by accident, when I bought a small studio on a run-down Southwark council estate, to use as a base for exploring London.    The estate was run-down, it looked horrible, but it had a good security system, new front doors, the neighbours seemed nice, and helpful, and it was functioning reasonably well.  The estate was built in the 1970s by Arup Associates for Southwark Council.  There are many similar estates around the poorer London boroughs such as Tower Hamlets and Tottenham, which I still have to go and explore.

The upmarket Barbican Estate designed by Chamberlin, Powell and Bon  was built at the same time.
Part of the Barbican Estate.  Photo: Luke Hayes.
The Barbican is very similar in style to many Brutalist 1970s council blocks.,  What makes the significant difference between upmarket Barbican and downmarket Southwark?  Maintenance, security, planting schemes, assessing and meeting the needs of the expected tenants.
Park Hill, Sheffield, 1950-61.
(RIBA| Library)
Above is Park Hill, Sheffield, built by architects Jack Lynn and Ivor Smith for Sheffield City Council.  This replaced run-down slum terraces, courts of back-to back houses with shared standpipes for water and shared toilets not connected to mains drainage.  At the time Park Hill was acclaimed as landmark innovative slum-clearance.  The flats were connected by 'streets in the sky', long balconies wide enough to take a milk-float in the days when milk was still delivered.  Park Hill  became a dangerous slum, due to poor maintenance,lack of social control and unsuitability to the needs of families.  It is now being renovated by Urban Splash for mixed rental and ownership with a surgery, nursery, leisure and retail facilities and will probably soon be a go-to destination for young urbanites.

Le Corbusier, Unite d'habitation, Marseilles, 1947-52
(Wikipedia)
The model for these Brutalist blocks of flats was Le Corbusier's Unite d'habitation.  The first, in Marseilles, was 337 apartments, twelve storeys high, opening off long corridors.  It includes, like the Barbican, shops, leisure facilities, even a small children's pool and a running track on the roof, all in a parkland setting, and it is a popular place to live.

Le Corbusier in turn was inspired by Soviet Communist architecture, the Narkomfin building, Moscow, designed by Moisei Ginzberg and Ignati Milinis, built 1932 for high-rank Communist officials.  The block had communal kitchens, creches and laundry facilities, a library and a gym, all in a parkland setting.  The communal living facilities were not really popular;  tenants quickly constructed make-shift kitchens in the flats.  Narcomfin is now in a very run-down, un-loved state, due to poor maintenance and, probably, unhappy tenants.
Narcomfin House, Moscow, architect Moisei Ginzburg
 (Structurae)
 I didn't expect Southwark council to announce that they had plans to demolish the Four Squares estate, get into partnership with a developer, and build 'affordable homes' and other more lucrative schemes.  Two of the four blocks had been left to quietly decay for many years and had never benefited from the previous regeneration scheme.

Four Squares before re-furbishment.
It doesn't look like a slum, does it?
 I planted those flowers.
The residents were all up in arms, fortunately the local Councillors supported them, asking awkward questions about the management of regeneration funds, and the Housing Department reluctantly agreed to re-furbish all four blocks.

So I got to know my neighbours.  Some had bought their flats, some were council tenants.  We all sat through long, difficult meetings with Council officers and contractors, some had incredible patience, some got upset, some gave up and left.

Several years and many meetings later we are still there, with new windows, a new roof, and looking quite respectable.  Residents of the two blocks which Southwark hadn't re-furbished are getting used to a security entry system; the local youth can no-longer run around just where they please.  The drug dealers no longer deal, at least not openly, the garages which run all along under the blocks are back in use, earning some income for Southwark.
Four Squares wrapped in green netting and scaffolding.
There are blocks wrapped up like this all over south London.
I have quite a lot of experience of urban regeneration, as I lived in two areas of terraced housing in Birmingham that underwent what was called Urban Renewal.  This meant re-roofing whole blocks of terraced housing and, in some cases, replacing windows and doors too. My experiences of living in social housing, and urban regeneration,now sent me in search of social housing around London, something I am still exploring.  First I explored the Heygate Estate, by Elephant and Castle, which was bitterly fought over ten years ago.


It has all gone, replaced, at the moment, by a heap of rubble and a tower block.  Elephant and Castle is all being improved and will probably soon be a fashionable London address. I visited when the people living there had mostly been re-housed, just a few home-owners grimly hanging on.  I found some fantastic, imaginative graffiti.
Graffiti on the Heygate estate, all gone now.


The Aylesbury Estate is a bit further out fro Elephant and Castle, along the Walworth Road and Albany Road, very near recently re-furbished Burgess Park.  These 1970s blocks are mostly eight to ten storeys high, looming forbiddingly, and it is hard to see how they could possibly be improved and made attractive to tenants.  Most of that estate is to be demolished.

Aylesbury Estate blocks
 It is hard to see why they were built that way, no human scale, no safety, dangerous rat-runs where a child could easily be knifed.  Looking back to slum clearance and urgent re-housing needs they might have seemed better than damp, run-down pest-infected  terraces but the design don't seem very well thought through to make them safe and to accomodate families with young children.  But even here there is quite a lot of social cohesian, and people trying to make communities work

Plan of the Aylesbury Estate


  So what is my conclusion?  That social housing needs regular maintenance just as private housing does.  That green, maintained, space is important to social well being.  That people need to be listened to and that people can find a voice and get things done if they work together.  It's been tough, but, well, I've been lived through three urban renewal projects, they made me believe in regeneration rather than wholesale demolition.  There is also a problem with Right to Buy.  This initially produced a good mix of tenants with owner-occupiers, who often care more about maintenance and management than tenants who may see themselves as only there temporarily.  But as a result of Right to Buy many of the properties are now let out by private landlords at commercial rents.  The number of council properties for rent has reduced.  It would help the situation if the council wrote a clause into the leases pegging future private landlord rents to council rents.

Saturday, 13 February 2016

Paternoster Row and Temple Bar, Cheapside to St. Mary le Bow, Leadenhall Market and Pizza Express


St. Pauls, but not from Paternoster Row
From the top of St. Paul's I could see something which looked like H.V. Morton's description of Temple Bar.  This was the historic entrance to the City from the Strand.  This beautiful three arched gateway was built by Sir Christopher Wren after the Great Fire of London in 1666.  It has a wide central arch for carriages and two small ones either side for pedestrians.  H. V. Morton says: 'On the Westminster side were statues of Charles I and Charles II, on the City side were Queen Elizabeth and James I.  People in the old days used to say that Elizabeth was pointing a white finger at Child's Bank, and that James I was saying to her, "Suppose we go to Whitehall and sit down a bit."'
The heads of traitors, on spikes, were set up on the Gate in Jacobean and Stuart times.
Now it is in Paternoster Square, a little bit of the U.K.  owned by the Japanese.  There are convenient toilets, which must have been a great help to the Occupy London camp in 2011.   There is also a nice statue by Elizabeth Frink, and the Paternoster Square column, designed by Whitfield Partners, topped by a gold-leaf covered flaming urn which is actually a ventilation shaft.

Temple Bar from Paternoster Row
When the Monarch formally visited the City the gates of Temple Bar would be shut.  A herald would knock, the Lord Mayor of London, whose authority is just over the City, would offer the Keys of the City and the City Sword to the Monarch, and the Monarch would ceremoniously enter.
Road widening swept Temple Bar away to Theobald's Park in Herefordshire, so I was surprised to see something which looked like Wren's Gateway just by St. Paul's.  But there it is in, in Paternoster Square.  H.V. Morton would be surprised and delighted to see it.  The move cost 3 million, paid for by the City Livery Companies and the Temple Bar Trust

18th century books often carry the imprint 'St. Paul's Churchyard' and many booksellers had their little shops on Paternoster Row.  The name comes from the  monks who would process to and from St. Paul's Cathedral reciting the Lord's Prayer, 'Pater noster' in Latin.  On 29-30 December 1940 thousands of incendiary bombs destroyed about 5 million books here in a second Great Fire of London

St. Mary le Bow
I had to see Wren's St. Mary le Bow, the church which defines cockneys as born within the sound of Bow bells.  Well, the bells are now the signature of the BBC World Service, so cockneys must be spread all over the world.  It is one of the very oldest London churches and the Norman crypt dates from about the same time as William the Conqueror's Tower of London.  Dick Whittington is supposed to have heard these bells and turned back to London to make his fortune.  and I walked there across and down Cheapside, which  has lost all its old character as one of the great London street markets.  St. Mary le Bow has beautiful stained glass windows by John Haywood, installed in 1963.  In the churchyard there is a statue to former parishioner John Smith 1580-1671,'Citizen and Cordwainer'  founder of Virginia the first British colony in what became the USA. The Native American Princess Pocahontas is supposed to have saved his life.

Sir John Smith 
I was determined to see Leadenhall Market as I have often passed it on a bus, so that was where I went next.  It is a beautiful Victorian shopping arcade designed by Sir Horace Jones who also designed Smithfield and Billingsgate markets and is on the site of one of London's oldest street markets Before the Great Fire in 1666 there was a lead roof over the market but this melted in the fire.  It was once full of fishmongers and butchers.  Far underneath lie the Basilica and the Forum  of Roman London.  There I found the Lamb Tavern and Old Tom's Bar under it, dating back to 1780, and also, oh heaven, Pizza Express.



Thursday, 11 February 2016

St. Paul's from the top of the Dome to the Crypt.

On my last walk round the City I meant to walk to St. Paul's from the Monument, but I never got there. Too many distractions.   So next day to be sure I caught the 381 bus which goes behind the Tate, got off at Tate Modern and walked across the Millennium Bridge, nicknamed the Wobbly Bridge because due to an unfortunate design fault it swayed slightly when hoards of pedestrians stamped across when it was first opened.  So it had to be shut and I remember bales of straw hanging from it as they tried to work out the best way to stabilise it.  Now the bridge, by Arup, Foster and Caro, is open again.  Over the bridge is the Salvation Army restaurant, very good for a cup of coffee and a bun.  Straight ahead is St. Paul's.  The foundations of the chapter house of the old cathedral are picked out in stone in front of Sir Christopher Wren's building, otherwise the new cathedral more or less sits on the footprint of the cathedral destroyed by the 1666 Great Fire of London.

From the Golden Gallery round the Dome
Last time I went into St. Paul's Cathedral I was sixteen.  I was enjoying a week in London with my fourteen year old best friend and her twelve year old sister.  My own ten year old sister was considered too young.  Now that I am over seventy I am amazed at our parents letting any of us run around London on our own.  I can't remember where we were staying,  maybe a youth hostel.  We went all round the Circle Line tube just to see if it really went a complete circle, and emerged smelling of coal dust.  We were taken to tea in the House of Lords by kind and generous Lord W., connection of my friends, and smuggled from the way-up high benches of the cheap upper galleries of the Royal Opera House through a secret passage way into the fashionable crush bar to meet the beautiful, glamorous Lady W.  We went to Lyons Corner House in Piccadilly and ate as much as we could, and more.  We went to St. Paul's Cathedral and tested the acoustics of the Whispering Gallery, up 257 steps, under the dome but that is as far as we went.  Either the outside galleries were not open to tourists then or we didn't know about them as I am sure if we had known we would have climbed the 119 steps to the Stone Gallery and then the 175 steps to the Golden Gallery to look out over London. These steps are between the outer dome, which is really a decorative shell and the structural cone which supports the dome and the lantern..  Towards the top the stairway is extremely steep and narrow, and then you are out, in the wind, behind the balustrade.
Samuel Wale & John Gwynn engraving, 1755 (Wikipedia)
Looking out over London I saw what I had come for, the modern re-development since H. V. Morton stood there  in 1951 and looked out over the devastated, bombed City of London, scarcely a church untouched, the area directly around the Cathedral completely destroyed, the cellars open to the sky. There were two direct hits, one bomb went straight through the roof and destroyed the high altar, the other exploded in the north transept.  A third was removed from its 27' deep hole by the extremely brave Royal Engineers and detonated in Hackney Marshes where it made a 100'crater, quite enough to destroy the cathedral.

St. Paul's in the Blitz:
Photo: Herbert Mason, 20 Dec. 1940, from the Daily Mail Building (Wikipedia)
Would Morton approve of St. Mary Axe, popularly called the Gherkin, by Norman Foster and the Arup Group?  The Baltic Exchange which this building replaced would have been one of the few buildings Morton could still see from St. Paul's in 1951; it was lost to IRA bombing in 1992 but a stained glass window is still preserved in the National Maritime Museum at Greenwich.  The Gherkin is one of my favourite London buildings and  I deplore 122 Leadenhall Street the new 'Cheesegrater' building by Richard Rodgers now partially obscuring it.  Rivalry between the ex-business partners?  Would Morton enjoy my other favourite London building, the Shard, by Renzo Piano, another past partner of Rodgers? And what of the top-heavy  'Walkie Talkie Building, 20 Fenchurch Street by Rafael Vinoly?  I think he would probably not approve of the new fashion for skyscrapers but he might be pleased to see so many of the Wren churches faithfully restored, and he might be both pleased and amazed to see the City sprung to life again..
20 Fenchurch St. from the Golden Gallery round the Dome
I went down to the Crypt with all its memorials to past wars but also to artists and poets; both Wellington and Nelson, the great leaders in the Napoleonic Wars, were buried here after their enormous funeral processions through the streets of London. Wellington also has the largest monument in the Cathedral, showing him riding his horse Copenhagen.  There were strong objections to having a horse in the cathedral and he was only installed in 1912. Nelson lies in a sarcophagus paid for by Henry VIII's chief minister Cardinal Wolsey, left unused after Wolsey's  sudden fall from favour due to that unfortunate matter of the King's divorce.  Lawrence of Arabia, leader of the Arabs in a more recent war is remembered here too, with Florence Nightingale, one of the few women, from the Crimea, another war in the Middle East. But so are poets and painters; the Dean of St. Pauls' and poet, John Donne, the only memorial to have survived the 1666 Great Fire, the painter J. M. W. Turner, the diarist Samuel Johnson, the poet and painter William Blake, the musician Sir Arthur Sullivan, but not his, un-knighted, collaborator, the satirist W.S. Gilbert. Of course,  Sir Christopher Wren is buried here.  His inscription ends: ' if you seek his monument look around you' .  Building began in 1669 when Wren was 37, the cathedral was topped out in 1708. When building the dome, Wren, in his 70s, was hauled up in a basket to inspect the work.  He was older than I am now.

From the Golden Gallery, round the Dome
I meant to continue with the story of my walk around St. Paul's but  I will have to leave that to another time.
Refs:  Wikipedia;
H.V. Morton, In Search of London, 1951

Tuesday, 9 February 2016

In search of H.V. Morton's City of London

I have been reading a wonderful book by H.V.Morton, In Search of London, published in 1951.  An extraordinary thing about this book, is that it was written while London was still devastated by the Blitz.  Morton describes vividly the early history of London, the devastation of the Great Fire in 1666, the opulence of Edwardian London, and the London of the 1930s, just before the second World War.  Then he describes walking the City in the Blitz, from Cheapside to St. Mary le Bow, 'a bare and roofless shell',  he mourns a special fish restaurant once called Simpson's, visits the Guildhall, where the 'big black timbers of the roof lay criss-crossed and charred, jet-black and wet across shapeless piles of masonry', the Gog Magog statues at the entrance blown to smithereens.  All around St. Paul's were acres and acres of ruins; 'the roads high with fallen masonry, the gas mains on fire..'  It was still a scene of devastation when he wrote the book.

So I took the 47 bus from Bermondsey over London Bridge, thinking of T.S. Eliot:
 
'Unreal City,
Under the brown fog of a winter dawn,
A crowd flowed over London Bridge, so many,
I had not thought death had undone so many.
Sighs, short and infrequent, were exhaled,
And each man fixed his eyes before his feet.
Flowed up the hill and down King William Street,
To where Saint Mary Woolnoth kept the hours
With a dead sound on the final stroke of nine.'
(The Waste Land, 1922)

H.V. Morton says that Old London Bridge, the original bridge with the houses all along it, ended at the church of St. Magnus Martyr, and the arcaded tower of the church was part of the original footway.

The Monument (Wikipedia)
I went to look at the Monument to that previous destruction of London, the Great Fire of 1666. Pudding Lane, where the fire started in a baker's shop, is just around the corner.
Morton says the Fire raged for three days. In those days the Square Mile of London within the original Roman Wall was London, a crowded square mile of narrow alleys, houses, shops. The great palaces of the nobility were along Strand, the Court and fledgling Parliament were at St. James's. the All the streets of the West End were fields then. Piccadilly, Trafalgar Square, Mayfair, even Bloomsbury had not been thought of.
After the Great Fire Old St. Paul's, the second largest Christian church in the world after St. Peter's was a roofless ruin. John Evelyn describes it:

'I went this morning on foot from Whitehall as far as London Bridge, through the late Fleet ST, Ludgate Hill by St. Paul's, Cheapside, Exchange, Bishopsgate, Aldersgate and out to Moorfields, thence through Cornhill etc. with extraordinary difficulty, clambering over heaps of yet smouldering rubbish and frequently mistaking where I was: the ground under my feet so hot that it even burnt the soles of my shoes.'
(Quoted in H.V. Morton)


The inscription on the Monument says that 89 churches were burned, with the Guildhall, hospitals, schools, libraries, 13,200 houses, 400 streets, covering 436 acres. There are 345 steps to the top of the Monument, and, like H.V. Morton, I hesitated. There were a lot of school children clustered around the entrance and, unlike H.V. Morton, who went right up, I decided that it could wait for another day.

Seventeen years after the Great Fire 25 of the burned 89 churches had been rebuilt, many, most? by Sir Christopher Wren. I would very much like to know: Why did London need the enormous church of St. Paul's and 89 churches, all clustered so very close together? To say nothing of Westminster Abbey, not so very far away.


Thinking of Shakespeare, I set off for Eastcheap and the Boar's Head. Wikipedia says there was a Boar's Head Tavern, owned by Sir John Falstof, but it was in Southwark, and another Boar's Head in Whitechapel, where plays were staged. The Eastcheap Boar's Head was demolished in 1831 and the sign is now at Shakespeare's Globe. Shakespeare lodged in various places around the old city; Charles Nicholl's book The Lodger tells the story of his time in Silver Street around 1603. There was a market on Eastcheap from Saxon times, so that is why it is called Eastcheap.
Where the Boar's Head once was
I found myself in Threadneedle Street outside the Bank of England, so I peeked in to see Sir John Sloane's vaulted ceilings but it was late and the Museum, where you can lift a gold bar, was closing. H.V. Morton says the Walbrook river runs beneath the Bank, and Roman London was built on its banks, when St. Paul was making his missionary journeys. Emperor Claudius, the stammering Emperor so well acted by Derek Jacobi, invaded, with elephants, following a successful action by his legions near a ford called Lyn-din which I suppose was a crossing on the Walbrook river. Claudius stayed in Britain sixteen days and decided a city would be built at Lyn-din. The Romans also built what was for a very long time the only bridge across the river; London Bridge. I had never realised before that Bank tube station is called after the Bank of England.


I went on to explore the Royal Exchange. This is the place where brokers, merchants, and Lloyds insurers met from 1581, to transact their business, but they are long gone to more modern commercial palaces. The present building dates from the 1840s and looks like a Greek or Roman temple. Inside there are now restaurants and boutiques but there is also a frieze by various Victorian artists running all around the walls showing scenes from the history of Britain. There is a huge bronze statue of the Duke of Wellington outside, cast from the cannons captured during the Napoleonic wars.

Then to St. Mary Woolnoth, a beautiful 18th century church by Nicholas Hawkesmoor, but built on the site of much older churches and a possible pagan temple. Prominent anti-slavery campaigners worshipped here, including William Wilberforce and it inspired Peter Ackroyd's Gothic novel Hawkesmoor. King William Street is not named for William III but for William IV, uncle of Queen Victoria who was king when the street was created. Wikipedia reminded me that T.S. Eliot, when he wrote The Waste Land, was working in a local bank.

Finally I stopped at another Wren church, St. Clements Eastcheap, just off King William Street, in Clement's Lane; Eastcheap once extended to this point. St. Clement of Rome was the patron saint of mariners, as well as patron saint of marble-workers and stone-cutters. This is the St. Clements of the nursery rhyme because there was once a market at the end of London Bridge where Spanish ships unloaded and sold their oranges and in those days the smell of oranges was all around. 

'Oranges and lemons
Say the bells of St. Clements'

I meant to write the whole story of my visit to the City in one post but there was so much to say that I will have to divide it into at least two posts, maybe more.











Wednesday, 19 August 2015

Down The Blue: The Cafe Situation

Grosvenor Estates have bought the Peek and Frean Biscuit Factory site.  Peek and Frean used to be a major employer in Bermondsey but closed in 1989.  The company brought the world the Twiglet and the beloved, delicious Garibaldi squashed fly biscuit.  Now the old factory is home to small businesses; graphic artists, designers, studios.  Grosvenor Estates famously developed Belgravia and Mayfair and are now looking at the potential of The Blue, the area around Blue Anchor Lane, linked to Borough by Southwark Park Road.  Grosvenor Estates are doing their homework on what the area needs to become another trendy London location and sent round a questionnaire asking what residents think would improve the area.  One of the suggestions was more cafes.

This sent me out to look at the cafes already here. I already knew and love Mr. Cappuchinos on Jamaica Road. There you can get a newspaper, an enormous range of hot and cold sandwiches and panninis, the usual range of coffees though they have not yet upgraded to a barista to serve them, and can sit either inside or out on the extraordinarily wide pavement.

In the Biscuit Factory itself there is a good old-fashioned cafe with good solid  hot meals served mostly to the workers in the Biscuit Factory and  the workmen currently crawling all over the Four Squares Estate.

The other side of the railway arches, in what is properly The Blue, the first cafe is the Curry Den, probably named for the famous Milwall Football Team, recently relegated, who's home is The Den, just up the road. Here you can try their famous Piri Piri grilled chicken. They are very nice people and once specially made samosas for me when I popped in.


 Then there is Lou Farrow's Snack Bar and Take Away; Traditional Pie and Mash.  Here they serve meat pies, eel and 'liquor' a mysterious green soup which turns our to be made with parsley.   It is a real, traditional eel pie and mash cafe, and they are rare these days.

Going on down Southwark Park Road are Pete's Bakery, which sells cakes and serves coffee, the Pop In Cafe, oh the other side of the road, and a Wimpy bar.  I haven't seen a Wimpy bar since the 60s.  So I looked it up on Wikipedia and found, to my astonishment, that Wimpy is South African.  Maybe that is why they suddenly vanished from British streets.  The first UK Wimpy was opened in Lyons Corner House, Coventry Road, London in 1954.  This one is at 251A Southwark Park Road.  Checking on the internet the one on Southwark Park Road looks to be the very last one left serving.






Next comes the Market Square where I get my jellied eels and news of Millwall football club from the fishmonger.  Here there is the Lucya Cafe which serves a traditional menu to the locals.  


There is also the Star Express, serving huge breakfasts, a huge range of burgers and sandwiches, Turkish meat balls and liver and onions. and finally there is Duns Delicatessen which serves that other well known London delicacy, salt beef sandwiches along with a splendid all day breakfast including kippers, haddock, black or white pudding and porridge as well as toasted ciabattas and panninis.  All seem well-loved by locals Although it is wonderful to have the huge range of coffees and delicious food served in more fashionable locations round London there is still a place in my heart for these traditional cafes.




Sunday, 12 July 2015

Four Squares Estate: Guerilla gardening

Below my flat are two large brick raised beds for flowers.  They have a couple of sad, diseased looking rose bushes in them and a lot of weeds.  It did not take me long to get the itch to rescue them.  But where to find flowers in Bermondsey?  In Birmingham there are plant shops on just about every street plus a garden centre just behind where I live  .London is a vast urban desert with no plants.  I try Tesco, Canada Water, Jamaica Road.  Wherever I go in London I look for shops selling cheap plants.  Or any plants, with roots.  Or bulbs.    The only place I see plants in profusion is Chelsea Flower Show and they are not for sale.
  
Only in The Blue, at the small, struggling local market, can I find plug plants, sold from a barrow.  They are amazed when I buy up, at a very good price, all the plug geraniums I can carry in two large plastic bags.
I plant them out and go back for more.
Then I collect all the seed from my garden and throw it all over the beds.
Result, a fine crop of opium poppies, a few foxgloves, nasturtiums and a lot of cheerful mixed geraniums.


In the autumn I have the job of removing all the dead plants.  I plant tulip and narcissi bulbs and, in February,  I bring some snowdrops.  They all come up.


This year the Four Squares Estate renovations are all happening.  The council blocks are all covered in scaffolding and green netting.  I thought it would be dark under all the nets but it is really not too bad, and it is very exciting to see wonderful shiny new UPVC windows going in.  Suddenly the run down Four Squares is looking almost respectable.


Because of the building work I did nothing to the guerilla garden this spring.  But nature did its work for me.  A fine crop of foxgloves has taken over.














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